Music Project 2018
Music Project 2017
Music Project 2016
Music Project 2015
Music Project 2014
Music Project 2013
Music Project 2012
Music Project 2011
Music Project 2010
Music Project 2009
Music Project 2008
Music Project 2007
Biografia Claudia Rossini
Born in Ponte dell'Olio, 1986.
Lives and works In Venezia.
Exhibition - solo
2010
Souvenirs, Art&Co, Fondazione March, Villa Contarini, Padova (curated by C. De Cristan)
2009
Venezia_Atlante, Fondazione Querini Stampalia, Venezia
Selected exhibitions - group
2011
Quotidiana 11, Palazzo Trevisan, Padova
Biennal of Young Artists from Europe and the Mediterranean (in collaboration with Angolazioni Urbane)
2010
My favorite things, Galleria Contemporaneo, Venezia
Real Presence 2010, Belgrade Heritage House, Belgrade (a cura di D. Denegri e B. Tomic)
2009
Rodeo #9 - Post Vertigo Virgins, Blauer Hase project, Palazzo Carminati, Venezia
International Prize La Colomba, Ex Casino di Commercio, Venezia
Real Presence 2009, MkM, Beograd (curated by D. Denegri and B. Tomic)
Blackout Dream, Fondazione Buziol, Venezia (curated by M. T. Frisa)
Open #1, Magazzini del Sale, Venezia
2008
Moleskine Prize, 92ma Collettiva Giovani Artisti, Fondazione Bevilacqua La Masa, Galleria Piazza San Marco, Venezia
Occhi nuovi, Center of Research and Archivation of Photograhpy, Lestans
Workshop
2011
Fondazione Spinola Banna per l'Arte, Poirino (TO) (visiting professor Leigh Ledare)
Awards
2009
winner of QCoffee Flash contest, Fondazione Querini Stampalia, Venezia
2008
winner of the Moleskine Prize, 92ma Collettiva Giovani Artisti, Fondazione Bevilacqua La Masa, Galleria Piazza San Marco, Venezia
I have grown up a lot, as an artist and as a person. The warm respectful welcoming atmosphere was fundamental. It allowed me to feel protected from material concerns, enabling me to concentrate on my artistic research. I think the working group was really well put together; everyone helped each other and shared their ideas. Everyone was willing to share his or her emotive and intellectual resources with the others. By this I mean everyone – the artists, the staff and not least of all the Marquis – contributed in a fundamental way to making this a precious experience that I will cherish and value. All artists should have a chance like this, and I feel very luck to have had that chance.
