Music Project 2018
Music Project 2017
Music Project 2016
Music Project 2015
Music Project 2014
Music Project 2013
Music Project 2012
Music Project 2011
Music Project 2010
Music Project 2009
Music Project 2008
Music Project 2007
Biografia Danilo Correale
Born in 1982 in Napoli.
Lives and works in Milano and Napoli.
Exhibition - solo
2008
Goodbye My Darling, galleria Franco Riccardo Artivisive, Napoli (curated by Marco Scotini)
2006
MY ILLUSION, Galleria Franco Riccardo Artivisive, Napoli
2005
Museopossibile, Accademia di Belle Arti, Napoli
Selected exhibitions - group
2009
Emergency room, PAN Palazzo delle Arti di Napoli (curated by Thierry Geoffroy)
2008
Emerging Talents, Fondazione Strozzina , Firenze (selecetd by Luca Cerizza)
12x12, Pan - Palazzo delle Arti di Napoli
Premio Cairo 09, Museo della Permanente, Milano (selected by Julia Draganovich)
Video&Installation Container, (Danilo Correale & Bianco Valente) Arenile Reload, Napoli (curated by Not Gallery)
Backpackers, Borgovico 33, Como (curated by Marco Scotini and Berth Theis)
Classroom #1, MADRE, Napoli (a cura di Salvatore Lacagnina)
Interno italiano, Galassia Arte, Milano (a cura di Francesco Jodice)
2007
Be hero become ordinary, Naba, Milano (curated by Marco Scotini)
2004
The Practice of Memory, Regione Campania Headquarter, New York
The Practice of Memory, Centro Italiano di Cultura, New York
L’esercizio della memoria, Cimitile – Basiliche paleocristiane
Interferenze, Avellino (curated by Paola De Gregorio)
Urgent, Salerno/Acropoli/Napoli
2003
L’immaginario Precipitato, Castel Dell’ Ovo/Sala delle prigioni, Napoli
2002
L’arte Bonifica della Città, progetto espositivo della Prima Cattedra di Scultura, Accademia di Belle Arti, Napoli
Workshop
2009
Fondazione Spinola Banna per l'Arte, Poirino (TO) (visiting professor Peter Friedl)
Residence
2008
Manufatto InSitu 2008 Residence Programm, Parco dell'Arte Cancelli, Foligno (PG) (guest Artist Mario Airò)
It is not easy to describe the complexity of the lived experience of three weeks in residence at the Banna Foundation. The criticality of the discourse and the arguments addressed with Peter Friedl have developed, I believe, an incredible criticality in our visions for our own work, both as a shared project and as individual efforts.
The Spinola Banna Foundation for the Arts and the intensity of days passed there granted an opportunity for active exchange and real interaction between all participants in the workshop. This has an absolute value and is probably the most valuable experience available in the current Italian artistic community.
