Music Project 2018
Music Project 2017
Music Project 2016
Music Project 2015
Music Project 2014
Music Project 2013
Music Project 2012
Music Project 2011
Music Project 2010
Music Project 2009
Music Project 2008
Music Project 2007
Biografia /barbaragurrieri /group
Barbara Guerrieri was born in Vittoria (Ragusa), 1978.
Emanuele Tumminelli was born in Vittoria (Ragusa), 1977.
They liva and work in Catania and in Vittoria.
Exhibition - solo
2004
Aperture materiche, Studio Arte Fuori Centro, Roma (curated by Loredana Rea)
2003
258, Museo Emilio Greco, Catania
Aperture materiche, Ex Fortezza Carceraria di Ficarra, Messina
Aperture materiche, Università Ecologica, Bucarest
Selected exhibitions - group
2007
Fondazione Spinola Banna per l'Arte, Poirino (TO)(curated by Eva Marisaldi)
Real presence – Generation 2007, Museo della Città di Belgrado, Belgrad (curated by Biljana Tomic and Dobrila Denegri)
2nd International youth salon 2007, Atelier of Alexandria (Assembly of Artists and Writers), Alexandria (curated by Reem Hassan and Moataz El Safty)
Gemine Muse, Monastero dei Benedettini, Catania (curated by Ambra Stazzone)
Obbiettivo Parco, Parco di Monza, Monza (curated by Martina Corgnati)
2006
Premio del Golfo 2006, Biennale Europea Arti Visive La Spezia, Generazioni / Rigenerazioni, Arte nell’età dei conflitti ininterrotti, CAMeC, La Spezia (curated by Bruno Corà)
Arte & Sud: obiettivo contemporaneo, Villa Fortuna, Acitrezza (Catania) (curated by Antonio Arevalo)
La via dritta, Le Ciminiere, Catania (curated by Enzo Cei)
Le quattro stagioni, Parco di Monza, Monza (curated by Martina Corgnati)
Artist’s remix – resistere x esistere, Galleria Arte Contemporanea, Catania (curated by Rosa Anna Musumeci)
Check-In, Le Ciminiere, Catania (curated by Lucio Barbera)
Ritratti ambientali, Fondazione Horcynus Orca, Messina (curated by Martina Corgnati)
2005
Tracce di sé, Sala espositiva Teatro comunale, Fiuggi (Frosinone) (curated by Loredana Rea)
2004
Quinquennium, Cinque anni a Fuori Centro, Studio Arte Fuori Centro, Roma (curated by Loredana Rea)
Per sogni, Galleria Koiné, Scicli (Ragusa) (curated by Mavì Marino)
Female, Centro Studi Feliciano Rossetto, Ragusa (curated by Rosario Antoci)
2003
Necessary kids 2, Galleria Civica d’Arte Contemporanea Montevergini, Siracusa (curated by Gigiotto del Vecchio and Salvatore Lacagnina)
8 Marzo, Mov. Culturale V. Brancati, Scicli (Ragusa) (curated by Paolo Nifosì)
2002
Incontro tra arte e letteratura, Fiumara d’arte, museo-albergo Atelier sul mare, Castel di Tusa (Messina)
Workshop
2007
Fondazione Spinola Banna per l’Arte, Poirino (TO) (visiting professor Eva Marisaldi)
ArtExperience 2007, Local modernity – Global expectations, International workshop, Santralistanbul, Istanbul (visiting professor Omer Ali Kazma and Map Office)
Real presence – Generation 2007, International workshop, curated by Biljana Tomic and Dobrila Denegri, Belgrad
Che cos’e la pittura?, Archivio Viafarini, Milano (visiting professor Maria Morganti)
Urban beach in Palermo, workshop #02, Accademia di Belle Arti, Palermo (visiting professor Mario Airò)
2006
AAW International workshop 2006 (Assembly of Artists and Writers), curated by Reem Hassan and Moataz El Safty, Atelier of Alexandria, Alexandria
La via dritta, AA BB Abadir, Catania (visiting professor Enzo Cei)
Le quattro stagioni, Parco di Monza (visiting professor Ronald Nicolaysen)
2005
Ritratti ambientali, Fondazione Horcynus Orca, Messina (visiting professor Ronald Nicolaysen)
2003
Necessary Kids #02, Galleria Civica d’Arte Contemporanea Montevergini, Siracusa (visiting professor Charles Avery, Piotr Uklansky, Costa Vece)
Awards
2004
Menotrenta, Linguaggi a confronto, Premio Gianni Delzanno, V Edition, Città di Savigliano
Cheese Art, Le forme del sapere e del sapore, Painting award, Ragusa.
The experience at Banna was truly transcendental. The “spell” cast by the place and the people stretched time enormously. The workshop gave us an opportunity to compare ideas, sometimes rather artificially. But in the end, it was useful in order to get away from and return to our own work, and see it from a different perspective. The physical and mental displacement influenced the creative process by injecting it with intense energy. And the one who “guided” us always gave us solid references with which to measure ourselves.
